Clean Energy & Industrial Gases Group da Nikkiso Anuncia a Conclusão de uma Instalação de Armazenamento de Hidrogênio Líquido de Unitrove

TEMECULA, Califórnia, Dec. 08, 2021 (GLOBE NEWSWIRE) — O Clean Energy & Industrial Gases Group (Grupo) da Nikkiso Cryogenic Industries, subsidiária da Nikkiso Co., Ltd (Japão), tem o orgulho de anunciar sua participação no design da nova instalação de Armazenamento de Hidrogênio Líquido (LH2) juntamente com a Unitrove.

A Nikkiso CE&IG e a Unitrove estão trabalhando em conjunto para desenvolver soluções para o futuro, particularmente em relação ao LH2. Para este projeto, o Grupo forneceu equipamentos personalizados de duas de suas Unidades Funcionais: um reservatório da sua unidade de Trocadores de Calor (Cryoquip) e unidade de Bombas Criogênicas (ACD).

“Estamos empolgados e orgulhosos de fazer parte de um dos primeiros projetos de instalações de armazenamento de hidrogênio líquido (LH2) do mundo e a busca de soluções mais eficientes em termos energéticos para o mercado marítimo”, disse Ole Jensen, Vice-Presidente, Europa, Nikkiso Clean Energy & Industrial Gases Group.

O sistema de Armazenamento está sendo apresentado na Conferência Ambiental da COP26 das Nações Unidas em Glasgow, que vai até 12 de novembro de 2021. A instalação deve ser concluída em algum momento em 2022.

Este será o primeiro de vários projetos a serem entregues em 2022.

SOBRE A CRYOGENIC INDUSTRIES
A Cryogenic Industries, Inc. (agora membro da Nikkiso Co., Ltd.) fabrica equipamentos de processamento de gás criogênico projetados e plantas de processo de pequena escala para as indústrias de gás natural liquefeito (GNL), serviços de poços e gás industrial. Fundada há mais de 50 anos, a Cryogenic Industries é a empresa controladora da ACD, Cosmodyne e Cryoquip, e de um grupo comumente controlado de aproximadamente 20 entidades operacionais.

Para mais informação, visite www.nikkisoCEIG.com e www.nikkiso.com.

CONTATO COM A MÍDIA:
Anna Quigley
+1.951.383.3314
aquigley@cryoind.com

Nikkiso Clean Energy & Industrial Gases Group annonce une installation complète de soutage d’hydrogène liquide pour Unitrove

TEMECULA, Californie, 08 déc. 2021 (GLOBE NEWSWIRE) — Nikkiso Cryogenic Industries’ Clean Energy & Industrial Gases Group (Groupe), une filiale de Nikkiso Co., Ltd (Japon), est fière d’annoncer notre participation à la conception d’une installation complète de soutage d’hydrogène liquide (LH2) avec Unitrove.

Nikkiso CE&IG et Unitrove travaillent ensemble pour développer des solutions pour l’avenir, en particulier en ce qui concerne le LH2. Pour ce projet, le groupe a fourni des équipements sur mesure provenant de deux de ses unités fonctionnelles : un puisard de son groupe d’échangeurs de chaleur (Cryoquip) et une unité de pompes cryogéniques (ACD).

« Nous sommes ravis et fiers de faire partie de l’un des premiers projets d’installation de soutage d’hydrogène liquide (LH2) au monde et de la recherche de solutions plus économes en énergie pour le marché maritime », a déclaré Ole Jensen, vice-président, Europe, Nikkiso Clean Energy & Industrial Gases Group.

Le système de soutage a été présenté lors de la conférence COP26 des Nations Unies qui s’est tenue à Glasgow jusqu’au 12 novembre 2021. L’installation devrait être achevée en 2022.

Ce sera le premier de plusieurs projets prévus pour 2022.

À PROPOS DE CRYOGENIC INDUSTRIES
Cryogenic Industries, Inc. (aujourd’hui membre de Nikkiso Co., Ltd) et ses entreprises membres fabriquent des équipements et de petites usines de traitement du gaz cryogénique pour les secteurs du gaz naturel liquéfié (GNL), des services d’entretien de puits et du gaz industriel. Fondée il y a plus de 50 ans, Cryogenic Industries est la société-mère d’ACD, de Cosmodyne et de Cryoquip, ainsi qu’un groupe administré en commun comptant une vingtaine d’entités opérationnelles.

Pour tout complément d’information, veuillez consulter les sites www.nikkisoCEIG.com et www.nikkiso.com.

Contact auprès des médias :
Anna Quigley
+1.951.383.3314
aquigley@cryoind.com

Globeleq, Africa’s leading independent power company and its partners, Electricidade de Moçambique, E.P. (EDM) and Sasol, have announced financial close of the Central Termica de Temane power project (CTT)

MAPUTO, Mozambique, Dec. 8, 2021 /PRNewswire/ — Debt financing of the US$652.3 million project is being provided by IFC, together with its “B” loan participants FMO and Emerging Africa Infrastructure Fund (together US$253.5 million), US International Development Finance Corporation (DFC) (approximately US$191.5 million) and the OPEC Fund for International Development (OPEC Fund) (US$50 million). The Multilateral Investment Guarantee Agency (MIGA) has provided up to $251.3 million in political risk insurance to the private sector equity investors.

Globeleq - Powering Africa's Growth (PRNewsfoto/Globeleq)

Located at Temane in Inhambane Province, CTT consists of a 450 MW gas-fired power plant which will supply power to EDM under a 25-year tolling agreement. CTT is expected to provide electricity to meet the demand of 1.5 million households and will contribute about 14% of the electricity supply capacity available to meet demand in Mozambique.

The project is aligned with the Paris Agreement and will support Mozambique’s longer-term sustainable energy transition to net-zero by 2050. CTT’s flexible technical and commercial configuration allows for a variable supply of baseload and dispatchable power and will deliver complementary power so that Mozambique can maximise renewable energy generation projects on its grid and pursue lower carbon energy development.  In addition, the Siemens SGT-800 turbines chosen for the plant can be upgraded to handle high hydrogen content, further reducing the plant’s carbon impact.

CTT also anchors a new 563 km high-voltage transmission line (the Temane Transmission Project (TTP)) and secures the first phase of the interconnection of the southern grid to the central and northern grids of Mozambique.  This will establish a corridor of electrification and ensure a more stable and secure grid and enable the connection of future renewable generation projects. The TTP is owned by EDM and will be funded using grant and concessional finance provided by the World Bank, Africa Development Bank, Islamic Development Bank, OPEC Fund and the Norwegian Government.  Together, the entire value chain (gas development, gas fired power plant and transmission infrastructure) will see an investment of more than US$2 billion.

“This pioneering project has the potential to deliver significant economic and social benefits by helping meet Mozambique’s growing demand for power, support the country’s economic recovery and the region’s energy transition. This is our third power investment in Mozambique, and we remain committed to supporting the sustainable development of the country’s electricity sector”, said Linda Munyengeterwa, IFC’s Regional Industry Director for Infrastructure, Middle East & Africa.

DFC financing for this project will support people and businesses throughout Mozambique by reducing the cost of electricity and increasing generation. These are important development gains that will spur further economic development in communities across the country.

Abdulhamid Alkhalifa, Director General of the OPEC Fund said: “The OPEC Fund supports the development of the Temane power plant, as well as the complementary transmission infrastructure through its private and public sector loan facilities. Our assistance reflects our commitment to the Sustainable Development Goal 7- Affordable and Clean Energy. Once completed, Temane will increase the supply of efficient and affordable energy to households, businesses, and industries, contributing to social and economic development in Mozambique and the region.”

The Minister of Mineral Resources and Energy, Hon. Ernesto Max Elias Tonela confirmed: “As a country that is at risk from the worst effects of climate change, our government fully supports the Paris Agreement.  We are working on our long-term decarbonization plans in line with that Agreement and CTT is fully in line with our transition which also includes developing hydro, solar and wind projects.”

The project will be built by the Spanish contractor TSK, utilising efficient and well-proven Siemen’s gas turbine technology. TSK has extensive experience in designing and constructing similarly sized combined-cycle power plants and will leverage their in-country construction experience during the 34-month construction period. CTT is expected to generate around 830 jobs during construction and 90 permanent jobs during operations. This excludes engineering and other work performed off-site. Mozambicans will be prioritized for jobs during both construction and operations. It is estimated that the project will support the creation of 14,000 indirect jobs and livelihoods when it becomes operational in 2024.

Mike Scholey, CEO of Globeleq, indicated: “Globeleq is committed to supporting the Government’s aim of achieving universal electricity access by 2030 and positively impacting the regional energy landscape. The Government of Mozambique, through EDM, is a strategic partner for Globeleq as we grow to develop other projects in renewables, such as the Cuamba solar and battery project and other wind and solar developments underway.”

EDM’s Chairman, Marcelino Gildo Alberto, believes that “a new phase is now opening in the energy sector, with EDM leading the way in the processes of generating increasingly cleaner electricity to promote the country’s industrialisation and export to the regional market.”

Priscillah Mabelane, Executive Vice President for Sasol’s Energy’s Business said: “Sasol is proud to partner with EDM and Globeleq in this exciting Temane project, which will create jobs, enable sustainable and lower carbon energy supply and long-lasting in-country benefits. She added: “Sasol is committed to a meaningful contribution towards the development Mozambique.”

CTT is expected to provide first power in 2024.

Logo – https://mma.prnewswire.com/media/612609/GLobeleq_Logo.jpg

Art is Creation, From Nothingness

Artists are after God the only real creators in the physical world. In fact, they have the capacity to become co-creators along with the divine, being if they can put all their intelligence and their utmost effort to produce a work of art.

Scientists may invent or modify. But what is assumed as invented is often something that was already there, in the physical world, and it is simply discovered by the tenacious and persistent worker who works at it out of necessity.

The artist doesn’t work, as the inventor, out of necessity, but from sheer inspiration. And the ingredients that the artist makes are not of this world. The artist doesn’t invent or modify. He/ she simply creates. The music of Beethoven and the paintings or sculptures of Michelangelo are works of art of the highest degree and they are physical representations of spiritual truths.

The appearance of television or an airplane or even a computer can at the most astonish or awe the observer, but it can never inspire. One is simply marveled at any new invention while one is taken up to the seventh heaven before a work of art.

No one weeps or is filled with spiritual bliss at seeing the Concorde (the most beautiful plane, in the world, they say) fly or the Symphony of the Seas (the largest and most modern ship in the world) plow its way on mighty oceans. But let someone just take a glance at Michelangelo’s Pieta or Listen to Handel’s Messiah, and one feels himself soaring in the immensity of the universe.

If therefore artists are the medium through which the creator expresses one of his attributes in the physical worlds, then they should give serious heed to their call or vocation and pass the ‘aesthetic message’ in its purest form. They should never take their work lightly and should consider themselves as endued with divine power to change the hearts of humankind.

Man has always been deeply attracted by art. From early times people thought that the gods were pleased by the statues or paintings that adorned temples and holy places erected to commune with them.

The best artists were commissioned to produce representations of the divine. Animals, thought to represent different attributes of the deity, were made to incarnate the abstractions of the spiritual worlds through the nimble fingers of the sculptor and the painter. And the sons of gods came down in the form of artistic productions to intercede between mighty warrior gods and subdued earthlings.

So we have graven images of the jackal, the owl, the eagle, and even the cat in the holy temples of ancient Egypt. And we have the Olympian gods immortalized in marbles in the Greek temples. And those who worshipped these artistically executed idols could easily commune with the other world and hope for the ultimate liberation of their souls.

Music on the other hand has been considered from time immemorial for the appeasement of gods of various temperaments. The angry god will stay his hand from striking the wicked doer at the sight of a consummate work of art and will come to himself at the sound of divinely inspired music.

This being the case, the first people to use this art to get divine favor were the priests. They sang to soothe the ‘bloodthirsty’ gods. At times they sang and chanted non-stop lest Dragon or Moloch (the Canaanite gods) might not change their minds in mid-song and cause the sky to fall on the temple.

Sometimes even the gods who created mankind in the highest aesthetic form could not resist the temptation of coming down and contemplating the majesty of man’s physical body.

However, nowadays, there is a corruption of the arts that result in aesthetic decadence. Those who produce ‘work of art’ for money or fame are to blame for the perpetuation of such a crime.

Let us start with painters. Although from time to time we are witnessing good art displayed in showrooms and exhibitions, most of the time artists are acting as ‘false prophets’ misguiding the laymen in general and the sincere artist in particular.

Are they inspired by the muses or money?

One day a certain father saw his son painting and was assailed by a mixed feeling of pride and apprehension.

The son looked up and said, “Father, I want to become a great painter.”

“You will remain poor,” warned the father,

“I don’t care,” went on the son.

“Then you will become a great painter,” concluded the father.

Art is not something that money produces or something that is supposed to produce money. Art is an inspiration accompanied by a lot of perspiration. It needs detachment from all that is related to money, fame, and the baser appetites of life.

Art is creation, from nothingness. It demands bold experimentation, the probing of the human spirit, the delving into the spiritual and physical needs of mankind. Real art should be able to talk to the heart and to the soul with the aim of changing attitudes, thoughts, and feeling for the better.

It should be in the service of mankind, showing the way that leads to a continuous fulfillment of man’s aspirations, hopes, and wishes.

Naïve might be the word coming out of your mouths but let’s take a moment and think, the greatest artists in history never embarked on their journey of daintiness and creation to make money, they were simply inspired.

Remember Beethoven’s 5th Symphony, Shakespeare’s Macbeth, Hugo’s Les Miserable’s, Rodin’s The Thinking Man, and Michelangelo’s The Last Judgment, just to mention a few. The light and inspiration that emanate from these works of art are like guiding stars in our artistically and aesthetically confused world of ours.

Source: Ministry of Information Eritrea

“I always Toil to Show the true Image of my Country”, Wedi-Korbaria

Please introduce yourself to our readers

My name is Daniel Slas; I was born in Asmara in 1971 but I have been living in Italy for nearly 28 years.

I just heard people call you “Wedi Korbarya”

Yea…! You are right, people frequently call me Wedi Korbarya because is a name I use on social media platforms. And while promoting my country’s steadfastness and fighting false narratives online, it became more popular than my first name. Some people in Italy call me Signore Korbarya and some others just call me wedi.

How did you start using it on social media?

It’s the name of one of the Eritrean villages in the highlands of Eritrea, a few kilometers from the town of Dekemhare. I hear the village has quite a history. But even though I had not visited the village yet, that’s my grandmother’s home village. Besides, I find the name easy and pleasing to pronounce in Italian.

What inspired you to write the book Mother Eritrea?

Over the years, I have worked as head of media activities in the Eritrean Community in Italy. We always toiled to expose the true image of our country and defend the baseless and unjust narratives that targeted our nation. Accordingly, I decided to write a book about the history of Eritrea to give the world another perspective of our country, then I came up with my first book “Mother Eritrea”.

This book is written in a way that depicts every Eritrean mother who has suffered all the ordeals and misery of colonial times. The story covered the era from 1974-1991, meaning from the coming of the Derg to the Eritrean Independence. The narration is written from a child’s point of view because childhood memories don’t fade easily and can record every detail.

Why is it written in Italian?

One thing was to be able to reach out to those born in Italy, and the other thing is that I wanted to share our rich tradition and amazing history with the Italians. The Italians don’t really know how the colonialism under the Derg was because most of the Italians who inhabited Eritrea returned back to Italy when the Derg military regime took power from the Hailesilase rule. Besides, I was able to discover that there are many writings in Italian that covered the Italian and Hailesile period but there are no documents in Italian that represent the Derg period.

Accordingly, many Italian professors and university lecturers have read the book, and many even requested and suggested for the book to be a reference “romanzo diformatzino” for schools. The romanzo diformatziono are selected books for scholarly purposes.

The most unforgettable challenges you have encountered during your course of writing this novel?

Writing a book based on true events while you are outside of the scene of the incident could be a very challenging thing. First-hand observation is always important, and collecting reliable documents could be of paramount importance too. But none of this was possible in my situation when I first planned to write the book. I expected such constraints in my endeavor to pursue this book and so I devised ways to overcome them; byways of meeting scholars from the Eritrean community in Italy, as well as approaching concerned bodies in Eritrea to get the accurate date, time, and situation of the real events. It wasn’t as an easy task as it seems, but finally, I was able to finish it successfully.

We heard that you are working with some Italian newspapers as well. Could you tell us a little about that?

I have been contributing articles for many years on the online Italian newspaper called “Anti Diplomatico”. And all my pieces focused on giving Eritrea positive representation in the international media and thereby deplore the false media bombardments that try to demonize the image of our country. This time, I also have heard some good news from the media I work for, that they will publish my upcoming book for free. And many of my articles were translated to German, French, Norwegian, English, and others languages, and republished in other newspapers by some interested once.

Future plans…?

I finished another book a month ago that’s also in Italian and in that book, I tried to expose the evils of immigration and the torment an immigrant encounters along the way. The thing that inspired me to write is the harsh situation of immigrants in Italy. Then I made my research for 10 years on that matter. Besides, I also worked as a translator on the case of immigrants. It’s a message to our youth to be aware of and not to be deceived by false western propaganda. It’s clear that it is an arranged project to lure the youth to flee and depopulate their respective countries. It has around 800 pages so I decided to publish it in two parts.

Family…?

I am married. My wife’s name is Maria, she is Italian and we have a 16 years old daughter. She has a great feeling for her country Eritrea.

Any other message you would like to convey?

I would like to say to all Eritrean, particularly to those who are abroad to bring together all their knowledge and energy in fighting against all the odds our country faces. And would like to thank you for giving me this chance.

Source: Ministry of Information Eritrea

Report: Number of Jailed Journalists Worldwide Hits All-Time High

WASHINGTON — The number of journalists around the world imprisoned by governments seeking to stifle critical reporting reached its highest level ever in 2021, according to an annual report compiled by the Committee to Protect Journalists.

CPJ found that as of December 1, 293 journalists were imprisoned in 37 different countries, up from 280 in 2020. China was far and away the worst offender, holding 50 journalists prisoner. Other countries jailing large numbers of journalists included Myanmar, Egypt, Vietnam and Belarus.

Gypsy Guillén Kaiser, CPJ’s advocacy and communications director, told VOA there is a common theme across countries jailing journalists.

“There’s been a demise in democracy and democratic principles globally pretty much in every area, not just press freedom,” she said. “In particular, authoritarian governments are portraying journalists as unfair liars and criminals. That narrative serves political polarization plaguing the world and is also a critical component in erosion of trust in the free and independent media worldwide.”

Kaiser said that authoritarian regimes have worked to pass new laws that allow them to target journalists, such as section 505A, a provision added to the penal code in Myanmar that prohibits vague acts like “causing fear.”

The CPJ census is meant to provide a snapshot in time. The count is of journalists in detention as of 12:01 a.m. on December 1. It does not account for journalists held for part of 2021 but released in advance of the census date.

Democracy summit

CPJ released the report a day before the White House hosted a Democracy Summit, a virtual gathering of more than 100 nations that are, ostensibly, committed to the principles of democracy.

However, seven of the countries listed by the State Department as attendees are currently holding at least one journalist prisoner, according to CPJ. They are Brazil, the Democratic Republic of Congo, India, Iraq, Israel, Nigeria and the Philippines.

“We think that it’s important to engage in dialogue with countries that are engaged in repressive behavior,” Kaiser said. She pointed out, however, that one of the key issues the Biden administration expects to address in the summit is the sustainability of a free and independent media. This puts the seven countries in direct conflict with one of the summit’s key objectives.

“If journalists are not able to report freely and independently, the sustainability of media is not a reachable goal,” Kaiser said.

Notable changes

This year is the first in which Hong Kong-based journalists are on the list, following the imposition of China’s new national security law in response to pro-democracy protests last year. The 50 journalists imprisoned in China include eight from Hong Kong, among them Jimmy Lai, founder of the Apple Daily newspaper and Next Digital. Lai won CPJ’s 2021 Gwen Ifill Press Freedom Award.

On Tuesday, Reporters Without Borders (RSF), published its own estimate of the number of Chinese journalists currently imprisoned by Beijing, putting the number much higher at 127. One factor contributing to the difference is that RSF counts non-professional journalists among the imprisoned.

Myanmar went from one imprisoned journalist in 2020 to 26 this year, according to CPJ. The sudden surge came after a military junta displaced the country’s democratically elected government in February. CPJ said its count significantly understates the extent of the repression of independent journalism in the country because a large number were released before the census date.

The civil war in Ethiopia has coincided with a large spike in the number of reporters jailed by the regime of Abiy Ahmed, the one-time political reformer. Ahmed’s government was holding nine journalists, making it the second-largest jailer of reporters in Africa, behind Eritrea, which held 16.

Brazen action by Belarus

One of the most brazen acts of repressing a journalist in years happened in 2021, when Belarusian President Aleksander Lukashenko scrambled fighter jets to force down a commercial airliner traveling through his country’s airspace.

His target was Raman Pratasevich, editor of the NEXTA-Live Telegram channel, who was on the flight and was arrested when the plane landed in Minsk. Pratasevich, whose outlet has millions of subscribers, had actively reported on protests after Lukashenko claimed victory in a disputed presidential election, and had testified about repression in his home country.

Belarus nearly doubled the number of journalists it held in prison, with CPJ counting 19 this year, up from 10 in 2020.

With repression, an exodus

Some countries that had been near the top of the list in recent years have reduced the absolute number of journalists in jail, including Turkey, where the number of imprisoned reporters fell to 18 from 38 in 2020. Likewise, Saudi Arabia, after releasing 10 jailed journalists, had 14 in custody.

However, CPJ warned that the decline in the prison population in countries such as Turkey and Saudi Arabia is not unadulterated good news.

The extraordinary repression visited on journalists in both countries, including the 2018 murder and dismemberment of Washington Post columnist Jamal Khashoggi, allegedly conducted at the behest of the Saudi government, has driven many journalists into exile or out of the business altogether, making it unnecessary to jail them.

Dangers in America

The CPJ data doesn’t list any journalists in prison in the United States, Canada or Mexico. But information gathered by the U.S. Press Freedom Tracker, a project of the Freedom of the Press Foundation, found that 57 journalists have been arrested or detained in the United States since the beginning of the year.

This year’s number is far below the 142 arrested last year, mostly during a summer of large Black Lives Matter protests that followed the killing of George Floyd by a Minneapolis police officer.

Kirstin McCudden, managing editor of the Press Freedom Tracker, said the 2021 figure remained far above the norm for the years prior to 2020. Most of the arrests, she said, take place in the context of protests, typical when police “kettle” large numbers of people in order to conduct mass arrests.

“Protests have always been dangerous places for journalists,” she said. That’s where you see kettles from law enforcement … and they’re more dangerous, certainly, for assaults, be they targeted or not.”

VOA emailed the International Association of Chiefs of Police for comment but received no reply.

The tracker also documented 141 assaults on journalists in the U.S. this year.

Source: Voice of America

Call to strengthen sports activity

At an activity assessment meeting conducted on 8 December, Ambassador Zemede Tekle, Commissioner of Culture and Sports, called for giving due attention to sports activity beyond domestic and regional competitions.

Indicating that the sources of sports development are schools and sports federations, Ambassador Zemede called for identifying strengthens and shortcomings and working for a better outcome.

At the activity assessment meeting organized by the Culture and Sports Department in the Central Region and in which representatives of 13 federations, heads of sports in the sub-zones and clubs, as well as invited guests, took part, the report was presented focusing on the participation of Eritrean athletes in the national, regional and global competitions and victories registered.

The participants on their part conducted an extensive discussion of the report presented and adopted various recommendations.

Mr. Endrias Asmerom, head of the Culture and Sports Department in the Central Region, on his part called on all concerned institutions and federations to conduct relentless effort for the development of sports.

Source: Ministry of Information Eritrea